Molly Burch, Aisha Burns
Tue, April 11, 2017
Doors: 9:00 pm / Show: 9:30 pm
This event is 18 and over
Tickets available at AXS.COM, or by phone at 888-929-7849. No service charge on tickets purchased in person at the Great Scott box office seven days a week 12PM-1AM, or at The Sinclair Box Office (Cambridge, MA) Wednesdays-Saturdays 12-7PM. Please note: box offices are cash only.http://www.boweryboston.com/event/1422413/
Sallie Ford grew up in Asheville, North Carolina in a musical family. At nineteen she moved to Portland, OR to explore her creative side which led to her career in music. Like all aspiring artists, there were enough twists and turns along with several serious dead ends, but Sallie persevered by creating songs that took those life challenges and turned them upside down into inspired music. Much of it is inspired by '60s music, whether it's the music of the British Invasion like the Kinks and the Troggs, or American groups Canned Heat and ?&the Mysterians. Add on other influences like girl groups the Shirelles, the Shangri-Las and the Ronettes, and the sound of Soul Sick comes into focus.
As Sallie describes, "This is a 'confessional' album. It's about struggling with my issues - some that I've overcome and some that I still carry around." The album opens with the line, "Woke up feeling sour on the sweetest summer day," which just about sums up Sallie Ford's state of mind a few years ago. A band breakup with the Sound Outside in 2013 led to new realizations about the things in her life that needed to change. As she jumped headfirst into those efforts, she signed with Vanguard Records, handpicked a new all-female backing band and released the debut album under her own name, 2014's Slap Back. It marked a big transition in Ford's sound, allowing her voice to take center stage amid a band sound of chugging distorted grit. It also gave her a new chance to take a stronger grip on her career and her personal life. With those deep shifts gave new questions, though, ones that weren't always easy to answer. "I felt confused, down about life and unsure of myself," explains Ford.
In search of definitive answers, Sallie Ford began therapy, "This is an album about insecurity, anxiety and depression, especially after the Sound Outside and I split up and had my first summer in four years where I wasn't touring." Ford says. "I was a middle child and a homeschooler, so I've always felt like an outsider. I explored what my music means to me, and how I've always struggled with feeling the pressure of not being good enough and wanting to quit. On these new songs, it felt good to write on one theme and from one place. All in all, Soul Sick has taught me a lot about myself and helped me to heal."
A lot of that healing is captured in the actual music played on the album. It is laced with a lot of nostalgic feeling, and produced to enhance that essence. "I asked Mike Coykendall (M. Ward and She & Him) to produce, Ford says. "He loves old rock&roll and always records on tape, but he's also an experimenter, exploring new things with his music. He's the most honest and genuine musician I've met. This album is as much his creation as mine. It was spontaneous in a lot of ways, but also the best-crafted thing I've ever done."
One listen to Soul Sick attests to all those thoughts. Ford's vocals continue to mature, with less nuanced delivery and more belting clarity. Her vulnerability and '60s fusion have evolved her sound into new territory, but also provide a bridge for new and previous listeners. "I think my biggest goal with this new album is to be relatable to what I originally started out as, as well as what I've become," Ford says.
No matter how you approach Soul Sick, the only prognosis is: mission accomplished. With a new studio band including Garth Klippert (Old Light) and Kris Doty (Modern Kin) on board, the fire is there. Add on guest musicians Ben Nugent (Dolorean), Ralph Carney (Tom Waits, the B-52s), John Coykendall and Kirk Hamilton, and these 11 new songs stand as Sallie Ford's step into a new world. "It wasn't even my goal at first to write these songs, it was more like 'I want to write about struggling with my demons.' But it became something more. I felt like some of that negativity I was able to write about with a positive light after the fact."
"I was always really interested in singing before songwriting. I didn't have the confidence to write," Molly says, "Initially it was more about finding the right songs to complement my voice." And that voice is the first thing you'll notice on Burch's debut album, Please Be Mine. It's smoky, with an incredible range, effortlessly evocative of her early influences. It was in Asheville where Burch would meet guitarist Dailey Toliver, who plays on her debut, and who inspired much of its music.
Searching for a bigger pond, Burch moved to Austin, Texas in an effort to stand on her own two feet. There, Burch began to write her own music in earnest, with the lovelorn Everly Brothers and Sam Cooke as her songwriting guides. Joined by Toliver in Austin a year later, the two connected with Dan Duszynski of Cross Record, and they recorded all the songs on Please Be Mine at his idyllic studio in Dripping Springs, Texas. Motivated by the hourly rate, Burch and her band recorded all the basic tracks and vocals live in one room and in one day, with minimal overdubs for keys and back-up vocals happening a day later. A difficult task for any talented musician, it becomes more mind-blowing when you hear her belt it on tracks like "Downhearted" and "I Love You Still."
We're all lucky Molly started writing music simply to complement her voice, as we've discovered a great new American songwriter in the process. Captured Tracks is proud to present this debut album of ten beautiful, wistful love songs of loss, loneliness and reconnecting.
Hailing from central Texas, Aisha moved to Austin when she was 18, and in 2006 joined folk rock outfit Alex Dupree and the Trapdoor Band (now Idyl), her first musical endeavor beyond the classical realm. She joined Balmorhea on violin in 2007 and has been touring, recording and performing with both bands ever since. After years of secret singing, she began tracking a project of her own. Inspired by Gillian Welch, Nina Simone, the warmth of a string quartet, the quiet of night, loss, and simplicity, her debut record "Life in the Midwater" was born.
The Midwater is a layer of the ocean just above the deep sea. Known for its absolute darkness, it’s only illuminated in small bouts by the neon glow of light producing fish. In the same way that one wrong collision with an enemy concealed in the dark could be a fatal mistake for one of these creatures, “Life in the Midwater” is a story of trying to navigate the darkest of times when the threat of one’s ultimate demise can be felt lurking all around.
Exploring mortality and relationships with candor and wisdom, "Life in the Midwater" is sometimes tense, sometimes soothing, as it moves from minimal to sweeping arrangements as remarkable for their diversity as their cohesion.
Burns' contributions as the violinist and occasional vocalist for the Austin band Balmorhea belie a nuanced songwriting prowess, and a dynamic and powerful voice.
The full length debut is available now on Western Vinyl.
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