Sun, May 7, 2017
Doors: 9:00 pm / Show: 9:30 pm
$10 advance / $12 day of show
This event is 18 and over
Tickets available at AXS.COM, or by phone at 888-929-7849. No service charge on tickets purchased in person at the Great Scott box office seven days a week 12PM-1AM, or at The Sinclair Box Office (Cambridge, MA) Wednesdays-Saturdays 12-7PM. Please note: box offices are cash only.http://www.boweryboston.com/event/1446322/
They recorded their first EP in a day and posted it to Bandcamp. On the other side of the world, a small label from Greece was listening and offered to press a limited run of LPs. Interest picked up through the blogging community and the band found tight group of dedicated fans around the globe. Since 2013 the band has released two full lengths, an EP, and several singles. They have toured Australia, the United States, Europe and Japan extensively. Kikagaku Moyo love to connect with people through performing, whether they are playing in a barn deep in a Swedish forest, on a desolate Mediterranean beach, or beside a sleepy river at 2014’s Levitation Fest they bring out the magic in everyone present.
Their latest release “House in the Tall Grass” (Guruguru Brain) was recorded in the winter of 2015/16 in Tokyo. Their delicate use of melody and soft vocal harmonies contrast seamlessly with fuzzed out sitar riffs and feedback. To Kikagaku Moyo a song is like a breath of wind through the leaves or a fish jumping from the water. Their music is a conversation—sometimes delicate and tender other times explosive, but always human and always changing.
Your needle touches down on a slice of this initial meeting: "Fit Ur-Head" lands at the feral, pummeling nexus of proto- and post-punk; a live-to-tape two-chord gob of lung-tar spat inches from a flea market snakeskin, while voices howl and wah guitar razes every inch of green. From this auspicious birth the album moves thru the afterhours narco-haze of "Au's Nation" to the Zamrock-inspired groove of "Push Thru The Veil", with Neveu rolling off an endless stream of future-classic break-beats throughout. On the flip, "No More Doors" finds a sunbaked cassette of tabla-and-bass loops melting as the band abandons Earth for hallucinogenic oblivion, and the album's closing 12-bar blues deconsecration "Bread Don't Rise" spins a circular framework into a sweaty Fillmore dancefloor-filler strictly for the heads. Fittingly, this trip ends only when the tape falls off the reel.
Wot Oz was recorded and mixed on 1/4" tape and 4-track cassette, mastered by Timothy Stollenwerk, and is presented in mono for optimal blare. Turn it up.
"A major acceleration in terms of the Herb sound, this one sees them phasing in and out of reality over a killer drum break that makes the whole thing travel and shake ass like never before. Mile wide F/X dazzled vocals haunt the background like your favourite psychedelic Xian choir while the primitive dub production is just too much, melting elegiac wah-wah solos into so much cotton candy." - David Keenan
"Herbcraft writhes and flows through umpteen Amon Düülian soundscapes with all the raging Mithraic fire of Flower Travellin' Band, a permafrost of sonic ice suffused by its own incandescent glow. That good? That compelling, kiddies. That the U.S. Underground continues to throw up such out-of-nowhere essentials is more than heartening; it's a lifeline and that's a fact." - Julian Cope
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