Twin Peaks

Twin Peaks

Ron Gallo, GYMSHORTS

Fri, June 9, 2017

Doors: 7:00 pm / Show: 8:00 pm

Fête Music Hall - Lounge

Providence, RI

$15 advance / $17 day of show

This event is all ages

Twin Peaks
Twin Peaks
Give Twin Peaks an inch and they'll take a stretch of the road. Having careened across America and beyond, sharing their staggering energy, the band made their third album the best way they know how: by themselves. The same group that produced the scuzzy squalor of their debut 'Sunken' and had legions of fans screaming along to their anthemic sophomore effort, 'Wild Onion,' now swings and serenades with 'Down In Heaven' (out on Grand Jury on May 13, 2016).

Co-produced by the band and longtime collaborator R. Andrew Humphrey, and mixed by new confidant John Agnello (Dinosaur Jr., Kurt Vile, Sonic Youth), the record is by turns raw, polished and wise beyond its years. The diverse new songs beg the listener to sway slowly, bang their head wildly and question what they were doing wasting emotional time on anything less. It is a marked, and some may say mature, development for a band that doesn't know how to play it safe. They aren't here to tell you what youth is like or what being a little older now means, though; they want to join you in a conversation about why we hurt, love and tug at each other.

While Twin Peaks is a bit older, they're not necessarily calmer; their restlessness endures. Born of Chicago's league-leading DIY scene and with several of them remaining friends since elementary school, Cadien Lake James, Clay Frankel, Connor Brodner, Jack Dolan, and most recent addition Colin Croom share an enthusiasm, authenticity and passion their audiences have found contagious. In the three years since dropping out of college to support their debut album 'Sunken,' the band has covered a lot of ground. They've played to ever-increasing crowds, bigger and rowdier each time they come barreling into a city; they were anointed "Best New Band" by NME and countless other blogs, and they have performed for (and partied with) more than hospitable masses at festivals in the states and Europe, including Pitchfork, Lollapalooza, Reading & Leeds, and Roskilde. In between all this action, the group set up camp in the summer of 2015 amidst the solitude of a murky lake in Western Massachusetts, where they could experiment and record on their own terms in the warm living room of a good friend's house.

Recording on reel-to-reel with the band learning studio tricks on the fly, Twin Peaks set out to a make an LP that reflects how far they've come and how much of life is left, trusting themselves to make a record they'd want to hear. James explains, "I've been particularly drawn to records that have a more personal feel, not necessarily lyrically, but in sonic aesthetic, like The Kinks' 'Village Green Society,' Beatles' 'White Album,' and Rolling Stones' 'Beggars Banquet.' We wanted to make a record that employed the restraints of our favorite artists from yesteryear. It was about trying to simplify and hone in on the things that are important to our music and ethos." In considering the development of the band's sound from 'Sunken' to 'Wild Onion' and now to 'Down in Heaven,' Frankel adds, "The bands we admire are the ones who change drastically over the course of their span, like The Velvet Underground, where no two records of theirs sound the same."

Whether sneering or pleading, aggressive or impatient, the thirteen tracks of 'Down In Heaven' are a continuation of the bands path and an eschewing of previous comparisons. It is a record all about feel: heartbreak, forgiveness, anger, jubilation, re-invention, growth. Album opener "Walk To The One You Love," written by James about letting someone close to you go is immediately followed by Frankel's song "Wanted You," with lyrics about not getting the one that you yearn for. With "Stain," perhaps the biggest departure for the band on the record, Frankel says, "I didn't want another love song, so after a while I got what it is, how you suffer for your art but you put up with it because you don't wanna do anything else. It's a song about the love of music." Even though four of the five members contribute lyrics, there are obvious connections both thematically and musically across the record and the band's voice rises unified.

'Down in Heaven' will bring old fans and new Twin Peaks most complex record to date, encompassing elements only teased on their previous efforts. Frankel says, "I don't know yet what kind of band we are, since we keep changing with every year. I guess we are a band unafraid of new influences and changes." Put simply, 'Down In Heaven' makes it increasingly hard to call their sound "classic." It's rock new and old, it's a little bit of country, it's a whole lot of punk attitude, and it's something to get excited about. Twin Peaks is here to stay, and they aren't going to get pinned down.
Ron Gallo
Ron Gallo
An Open Letter from Ron Gallo to Humanity:

(Shredding. Speaking. Writing. Thinking. Reading.)

I straddle the fence between two mindsets –

1. The world is completely fucked and,

2. The universe is inside you.

I have probably spent too much time being pissed off and upset with humanity; how far we’ve let ourselves go. Just another millennial guy with large hair trying in earnest to take on the weight of the world; taking passionate and hypercritical walks down city blocks, somehow totally aware and above the illusion, overflowing with informed negativity to destroy the illusion and only feeding it.

Besides a couple of years of emotional and mental turmoil, loss, confusion, breakdown and internal growth what did all of that ever
get me? Well, it gave me this record called “HEAVY META” and it is the first few findings from my guerilla treasure hunt for bullshit, both outside and within. Ethos meets pathos.

There is nothing about reading this bio that will achieve its only goal - to further acquaint you with the music. I suggest you put the phone down, come to a show and make up your own mind. You work hard, or don’t work at all; but the search for purpose and meaning is real and the need to relate, release and rage is just as visceral. And though I can’t control what you think, maybe, JUST MAYBE, I can spark some emotion that might unite us in tacit understanding through the language of music – where the words “fuck yeah” say everything.

Just the existence of a biography in someway makes it seem like my life is more interesting than your life - far from the truth. I am more interested in YOU, and how we connect that to the WE; that is the reason why I put this stuff out there. These songs - whether they’re about the time I saw a mother’s cigarette ash falling onto her child’s head in a stroller, or the wars we start within ourselves or, the domestication of punks - they immortalize images and moments in this singular existence that seem to hold a more universal truth than what is taken at face value. And for all this I have nothing but gratitude for the process that lead me to create this album - the 4,929,647 album of all time.

RG

HEAVY META LP

...is 11 tracks of lyrical confrontation and laughter for cynics laid down roughly on a bed of fuzz, chaotic structures and primal sounds evoked from a red Fender jaguar electric guitar - there is bass, there are drums and not much else besides the occasional icing (no artificial colors or dyes). It’s not comfortable and easily pinpointed and I’m sure that will create an issue for the desire for neat little boxes we have grown to love. On my shelf currently there is a Mahalia Jackson record sandwiched between “Funhouse” by The Stooges and Minor Threat. Lately on long drives, we’ve been deep into the Eckhart Tolle audiobook for “A New Earth”, a variety of comedy podcasts (specify), our friends and bands in our new adopted home of Nashville, stand-up specials and revisiting 90’s hits - oh, and listening to our own record a lot to make sure the mixes are right on car speakers. My bedroom window curtains are orange. We tour in a maroon SUV. The band, RG3, consists of Joe Bisirri on bass and Dylan Sevey on drums.

If you’ve made it this far, now might be a good time to go over some pretty boring backstory to create further context for the “assets” of my “brand”:

I was in a band called Toy Soldiers for about 8 years that started as a drum/guitar duo between my longtime friend from middle school and I, fluctuated into a 12- piece freak show and then eventually a solid 5-piece rock and roll group. I consider that brand my musical training wheels. It was the reason one night in 2007 I realized in a low ceiling south Philadelphia basement that maybe one day I could be a singer. We barreled around the country many times, made many mistakes, had good times and eventually played our last show in August of 2014. Shortly thereafter I started a label called American Diamond Recordings and put out a record called “RONNY”, the cover is my face with a slice of pizza on it and it sounds like an island vacation. I didn’t know what I was doing when I made it. I still don’t know what I’m doing and I plan on keeping it that way.

The only thing I do know is that I want to use music to reflect the times and as a primary outlet for me to become a total psychopath on stage, challenge myself and talk about potentially heavy real world things, call you out, then maybe we can even hug after the show. I am forever grateful for this life and anyone that ever comes to a show, buys a record and wants to have a real conversation. I have no idea where things are going, but I know it’s best to grow with them and be okay with whatever happens. As for right now, it seems like a great time to WAKE UP, put all of ourselves into it, acknowledge our own personal limitless value and beauty and if I can be any part in that, well then, awesome. Thank you.
GYMSHORTS
GYMSHORTS
devin plays guitar
sarah plays guitar
chris plays drums
Venue Information:
Fête Music Hall - Lounge
103 Dike Street
Providence, RI, 02909
http://www.fetemusic.com