Worriers, Camp Cope
Sun, July 9, 2017
Doors: 9:00 pm / Show: 9:30 pm
This event is 18 and over
Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at the Great Scott box office seven days a week 12PM-1AM, or at The Sinclair Box Office (Cambridge, MA) Wednesdays-Saturdays 12-7PM. Please note: box offices are cash only.http://www.boweryboston.com/event/1473131/
If Cayetana’s newest album had a tagline it would be “how to stop self-sabotaging and accept love.” Thematically, the Philadelphia indie rock three-piece - comprised of Augusta Koch, Allegra Anka and Kelly Olsen - has been exploring the delicate interplay of mental illness and wellness, since they began releasing music in 2014, but never so gracefully and poignantly as on New Kind of Normal. “The record is about mental health…struggling with that and settling into a new kind of normal where you can finally recognize your own your destructive behaviors and accept love into your life.” Cayetana explore the concept of normality when living with mental illness, that what you know as normal can be self-destructive, and that finding a new way of living, a new kind of normal, where self-care and self-respect are the norm is an often painful and lifelong process that can feel foreign and undeserving. New Kind of Normal, however, reminds us that self-love is merited and palpable and delivers us a soundtrack for finding it.
Songs like “Certain for Miles,” embody the concept of the record beautifully. Koch sings, “When the world bears down on me will I laugh at it’s audacity and be able to comprehend? When the world bears down on me will I laugh at it’s audacity and be able to start again?” The answer, apparently, is yes and always has been.
From the group’s inception Cayetana has exemplified the beauty and spirit of perseverance and DIY. They started as three friends who had barely been acquainted with their instruments and in just three years have become one of the most promising bands in indie music. They prove on New Kind of Normal that growth takes self-responsibility, accepting the help of others, and resilience proving that the risk is worth the writhing.
Proving themselves masters of self-actualization, Cayetana has formed their own record label – Plum Records – to release their second LP. Koch says of Plum, “We believe in ourselves so much more than anyone else is going to believe in us, so why not put all of our energy into releasing the record?” Koch is as candid about the financial, emotional and sometimes creative sacrifice that being a musician entails as she is about her own personal internal experiences. For their second record, Cayetana refused to compromise and hope to help other artists to do the same in the future. “We want to empower people and show them that they don’t have to wait for something to happen. They can do it themselves.”
Evidently, there is a new kind of normal not only in the mind but also in music and Cayetana is determined to help us find it.
*Written by Anika Pyle
Being released by Don Giovanni Records, Imaginary Life is Denitzio’s first time single-handedly generating an entire record’s worth of material. Accompanied by Rachel Rubino (Each Other’s Mothers, Troubled Sleep) and John McLean (Dead Dog, Todd Killingz) on lead guitars, Audrey Zee Whitesides (Mal Blum, Little Waist) on bass, Mike Yannich (The Ergs) on drums, and Lou Hanman (Caves) on backing vocals, Denitzio also asked Laura Jane Grace to produce the record. Working with a woman producer, and someone who came from a DIY background, was crucial to Denitzio. Grace enthusiastically agreed and brought on Marc Hudson, Against Me!’s front-of-house sound person and tour manager, to engineer the record at his studio in Fenton, MI. Grace also took Worriers on a nine-day tour with Against Me! in February to become better acquainted with their sound. In the studio, the group worked meticulously on the tracks—even creating multiple versions of certain songs using Casio beats—to give them time to develop into exactly what they were looking to create.
“I was writing songs that had to do with moments in my life that only happened very briefly, or things that could have happened had things gone a little differently, both in positive and negative ways,” says Denitzio. “I don’t mean regrets, but how life could be entirely different if you make a couple of different choices.”
While Imaginary Life doesn’t stray too far from past Worriers’ releases, it resonates stronger than ever in both sound and message. It flows fittingly backwards, opening with “Jinx,” a softer song that barely hits the one-minute-mark. We are presented with what seems to be a reflection of the current state of life and a fear of change, how goods things have been and wanting to hold onto that. From here, the album cracks wide open into all that ever came before. “Glutton for Distance,” with it’s mathy guitar leads and overflowing lyrics, depicts the desire to sustain a long-distance relationship. In “Chasing,” there is a bit of a departure from what we’ve come to know of Worriers; it’s pop beat is reminiscence of something we’d hear on the radio rather than at a punk show. It’s unexpected but natural, juxtaposed to dark lyrics about giving into unrequited love and carried along by Denitzio’s polished vocals. In the resolute political ballad ”They / Them / Theirs” we are questioned regarding notions of the gender binary and the frustrations that come with it. “Plans” and “Most Space,” two of the catchiest songs on Imaginary Life, are reminders of what tripped us up over Denitzio’s songwriting in the first place—fast and infectious guitars, anthemic lyrics, and unyielding vocals that Worriers never fails to provide.
1222 Commonwealth Avenue
Allston, MA, 02134