Shelby Lynne & Allison Moorer

Shelby Lynne & Allison Moorer

Rick Brantley

Tue, August 22, 2017

Doors: 7:00 pm / Show: 8:00 pm

The Sinclair

Cambridge, MA

$35 advance / $40 day of show

This event is 18 and over

This is a General Admission partially seated show; seats are available on a first come, first serve basis. Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box office Wednesdays-Saturdays 12-7PM.

Shelby Lynne & Allison Moorer
Shelby Lynne & Allison Moorer
The best relationships between singers are symbiotic yet mystical. They bear the demands of the song and revolve around what it needs without discussion. Whether it’s a shared sixth sense or finely tuned intuition, no one has to ask who takes what part. It doesn’t matter anyway — they are of equal importance when two voices nestle seamlessly into a melody, almost imperceptibly gliding across each other when it’s time to switch. It’s not a trick but a sacred dance.

Sisters Shelby Lynne and Allison Moorer, now with twenty-four albums and Grammy, Oscar, and many other kinds of awards and nominations between them, share that kind of transcendent musical bond. It’s as deep, haunting, knowing, and beautiful as the Alabama woods they once called home. Both sang as soon as they could form words, but music is the only language they have ever needed to communicate with and understand each other. Not Dark Yet offers a glimpse into that understanding for the first time and finally, after years of trying to get it made, at the right time. Produced by Teddy Thompson and recorded in Los Angeles during the summer of 2016, the album provides a potent look at their individual and collective artistry through eclectic song choices from writers ranging from the Louvin Brothers, Nick Cave, Kurt Cobain, and back to Jessie Colter. Shelby and Allison wrap their arms around the past, plant their feet in the present, and nod toward what’s around the bend with a co-written “Is It Too Much,” to close out the ten-song set.

Not Dark Yet is not a duet record. It is no ordinary collaboration. It is not a creation, but rather a celebration of something that has always been, two voices becoming one and finding home within each other.
Rick Brantley
Rick Brantley
So, what to make of this Rick Brantley? This seeker of the life-changing novel and the perfect pair of beat-to-hell boots; this connoisseur of the cool classic movie and the greasiest dive-bar cheeseburger, disciple of the museum’s masterpiece and the panhandler’s wiliest street-pitch? This guy who lives it, loves it, takes it all in and pours out something so tight and right you just gotta hear it again and again? Well, let’s just tell it straight: Rick Brantley is a singer-songwriter who can seriously, seriously write and sing; a rocker who can really, truly rock. A young man worth listening to.

Rick Brantley was born and raised in the musical mecca of Macon, Georgia, a preacher’s son, soaking up the strains of gospel music, fire-and-brimstone sermons and the echoes of musical legends: Blind Willie McTell, Otis Redding, The Allman Brothers. “My Dad dug the local heroes, and was big on pop/rock hitmakers of the 70’s, too, like Three Dog Night. We had a little home recording studio; music was such a part of everything”, Rick says. He was also inspired by singer-songwriters like Bruce Springsteen and Billy Joel. “You learn from those guys and they lead you to Kristofferson, Guy Clark, Townes Van Zandt,” he adds. Brantley learned his lessons well: barely out of high school, his own songs and red-hot band performances led to a publishing contract and new home base in Nashville. Since then, his songs have been covered by artists ranging from Meat Loaf to country crooner David Nail, while he’s continued honing his stage chops as both full-tilt rock-show frontman and acoustic solo performer, opening for acts as diverse as John Hiatt, Zac Brown Band, Better Than Ezra, and Steve Earle.

It’s the rock side that takes the wheel for Brantley’s newest EP, Hi-Fi. The six-track musical meal leans into the wind, pairing his rock howl with hope and harmonica. Beginning with “Fine So Fine,” Hi-Fi emits a warm optimistic glow – maybe, together, we’ll all be okay. It’s a sentiment that’s echoed throughout the record: “Little Bit More” is a love call to arms, while “Holes” sheds sunshine on imperfections. There’s something vaguely familiar about Hi-Fi, a warm orange gospel that evokes bench seats and warm steering wheels and settles snugly between nostalgia for the glory days and joy at the potential of tomorrow.

Then there’s “Hurt People.” The song, which leads the EP as a single, digs deep into the gritty, sometimes uncomfortable place born of knowing someone well. It’s a testament to Brantley’s ever-present need to understand the world around him: he’s an acute listener, and he’ll tell you that getting to know people at the merch table is his favorite part of every show. In “Hurt People,” that richness comes to life, honed in the stark depth of forgiveness by way of understanding.

“I’ve never met anyone that, like [Hi-Fi producer and co-writer Mark Selby], is such a method actor,” says Tia Sillers, the award-winning songwriter who co-wrote five of the six songs on Hi-Fi. “If we’re going to write a song about a person, we have to go back to birth. We have to know this person’s second aunt, we have to know what happened to them in fourth grade, and we have to deliberate these things.”

“Of course all of that can’t be in the song, because it’s a short form” Selby adds, “but the back story of these people are all there in their minds, they’ve been worked out.” Listening to Hi-Fi, you may just feel like a bit of your story was woven in too.

So back to our original question: what to make of this talented Rick Brantley? If enough of us hear him, see him, watch him own another stage. . . well, we might just make him a household name.
Venue Information:
The Sinclair
52 Church St
Cambridge, MA, 02138