Whitehorse

Whitehorse

Terra Lightfoot

Sun, October 1, 2017

Doors: 9:00 pm / Show: 9:30 pm

Great Scott

Allston, MA

$16 advance / $18 day of show

This event is 18 and over

Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at the Great Scott box office seven days a week 12PM-1AM, or at The Sinclair Box Office (Cambridge, MA) Wednesdays-Saturdays 12-7PM. Please note: Great Scott box office is cash only.

Whitehorse
Whitehorse
Glam and sleaze, desert grit and subway rats, scum-bags and fakers, hot messes and cold shoulders: welcome to the world of Whitehorse, a rock duo from Toronto.

Whitehorse's brazen sonic breadth encompasses psychedelic surf, arid border rock, lo-fi ingenuity and icy 80's sparseness. Luke Doucet's Gretsch White Falcon and impeccable tone, combined with Melissa McClelland's blazing vocals and badass P- Bass playing, have made the duo's sound is unmistakably, inventively 'Whitehorse.' The duo's songwriting is distinguished by its cinematic fiction, full of flawed characters, foiled plans and anti-fairytales that transform real life into sleek, stylized collages of neo-noir drama and high-gloss.

Whitehorse began as something of a folk duo, but quickly outgrew that box with their inventive instrumentation and resistance to expectation. The duo moved into 'space cowboy' twang territory on the debut apocalyptic full-length The Fate of the World Depends on This Kiss, a fitting title lifted from a Wonder Woman comic. From there, Whitehorse expanded the intergalactic atmospherics with Leave No Bridge Unburned, a chase-scene-velocity acceleration into rock n' roll, with lethal riffs and near indecent vocal heat. Most recently, the duo rebuilt early electric blues for The Northern South Vol. 1, which showcased the duo's adventurousness and enviable guitar collection.

The duo's profile has grown exponentially with each release. The pair now sells out Massey Hall, Canada's most prestigious venue. Last year, Whitehorse won a Juno Award and performed on the award's live television broadcast to millions. Press highlights in the USA, include airtime on NPR's Morning Edition and Weekend Edition, and coverage from Rolling Stone, the Wall Street Journal, Paste and more.

With the new single "Boys Like You," Whitehorse once again mixes things up, adding hip-hop producers and processed beats, and expanding their studio sound with samplers, vintage drum-machines and more. The result is a song that is an irresistible fusion of 90s guitar rock riffs and Brit pop-inspired swells with futuristic, cinematic production.
Terra Lightfoot
Terra Lightfoot
Whether you’re talking about her as a songwriter, guitarist or vocalist, one thing is indisputable: Hamilton’s Terra Lightfoot is a ferocious talent. Her songs tap into the raw emotion of hearts supercharged by love, lust, loneli- ness and temptation. Her playing melds expert finger-picking and distorted, hook-heavy melodies. And her elemental voice commands attention and awe, whether on slow-burning soul ballads or hard-charging rock numbers.

On stages in France, the UK and across Canada, Lightfoot has performed alongside heavyweights like Emmylou Harris, Ron Sexsmith, Gordon Lightfoot, Sloan, Arkells, Basia Bulat, Albert Lee, James Burton, Whitehorse, The Sadies, Steve Strongman, Monster Truck and Daniel Lanois. She also stays busy as part of country band Dinner Belles

In writing and performing Every Time My Mind Runs Wild (out April 14, 2015 on Sonic Unyon Records, dis- tributed by Sony Music Canada), Lightfoot set out to push her limits as a performer and challenge herself cre- atively. Where her debut was given to slower, softer songs and a subdued vibe, Lightfoot’s new album crackles with immediacy and demands attention. From the moment you put it on, the album announces Lightfoot’s ar- rival as a confident and natural lead performer.

Recording her sophomore album, Lightfoot says, made her a far more disciplined songwriter. That transforma- tion took place early in the songwriting process. Holing up with headphones and a stack of vintage pop and rock albums, Lightfoot pulled apart songwriting mechanics, mastering tonic chords and middle eights and learning to craft memorably sticky choruses. She spent the weeks leading up to the recording sessions honing the album’s songs — working and reworking them until they were taut and lean. And then she hit the studio.

Lightfoot praises the supportive production team of Gus van Go and Werner F, who she says approached her material with a light and respectful touch. Tracks like “NFB,” “Emerald Eyes” and “Splinter” were recorded live off the floor over the course of a single day, a sprint made more urgent by the fact that the studio’s air condi- tioning was on the blink. Elsewhere, the pair took a more meditative approach, filling out tracks like “Moon- light,” “No Hurry”, “Never Will” and “All Alone” with choice details. They also enlisted the talents of key- boardist Liam O’Neil (The Stills) to round out the core trio of Lightfoot (guitar, vocals), Matthew Fleming (bass) and Joel Haynes (drums).

From start to finish, the results are radiant and remarkable. Lightfoot’s touchstone influences — blues legends Leadbelly and Lightnin’ Hopkins, soul greats Sam Cooke and Otis Redding, jazz titans Nina Simone and Billie Holiday — are fused with songs that evoke the burly soul and bounding rock of Them or Creedence Clearwater Revival.

For all those comparisons, however, one listen to Every Time My Mind Runs Wild will convince you that Light- foot is an inspiration all her own.
Venue Information:
Great Scott
1222 Commonwealth Avenue
Allston, MA, 02134
http://www.greatscottboston.com/