Young Widows

Young Widows

Helms Alee, No Flowers

Mon, May 19, 2014

Doors: 9:00 pm / Show: 9:30 pm

Great Scott

Allston, MA

$10 advance / $12 day of show

This event is 18 and over

Tickets available at TICKETMASTER.COM, or by phone at 800-745-3000. No service charge on tickets purchased in person at the Great Scott box office seven days a week 12PM-1AM, or at The Sinclair Box office Tuesdays-Saturdays 12-7PM. Please note: box offices are cash only.

Young Widows
Young Widows
Louisville’s creatively restless dark-rock auteurs Young Widows have announced the impending release of their new full length Easy Pain, due May 13 via longtime label Temporary Residence, Ltd. Recorded with Kevin Ratterman (My Morning Jacket) the new set is far and away the trio’s densest, most disturbingly addictive record yet. Easy Pain melds the strengths of their past and their tenacity for the future to forge an album perfectly befitting their merciless moniker; the lyrics and vocal delivery are more expressive and dynamic, the guitars are enormous, the drums are pummeling, and the trademark gut-churning bass is more jaw-dropping than ever.

In the three years since the widescreen atmospherics of 2011’s In and Out of Youth and Lightness, Young Widows set their sites on crafting a set of songs that brims with visceral ferocity. The results are so suited to the subsuming force of the trio’s forceful live presence that the group recently debuted the album as a series of live performances in New York and Philadelphia, immediately galvanizing the support of their fanbase. Disregarding all boundaries and pushing forward with a masterful command of post-punk, noise rock, pseudo industrial, experimental doom, and goth, Young Widows emit the intimidating force of a 10-piece with the heart and soul of a classic power trio.
Helms Alee
Helms Alee
Helms Alee's music is exactly the sort of mutant, fantastic hybrid that used to only occasionally erupt out of small, isolated scenes, uninformed by trends of the day instead inspired by the band's own collective contributions. The Seattle trio's unique amalgam of metal, art rock, pop and punk is charmingly reminiscent of the fertile creativity that groups once had before the Internet seemed to instruct bands to only copy one another. Helms Alee's third album, Sleepwalking Sailors sounds like many styles combined into one, and none of it concerned with any notion other than creating vital, urgent and uniquely characteristic music.

Bassist/vocalist Dana James, drummer/vocalist Hozoji Matheson-Margullis and guitarist/vocalist Ben Verellen combine a vast array of ideas within a single song, while still sounding entirely cohesive. Their songs are undeniably heavy, but also freely roaming through icy post-punk and warm melodic haze at any given moment. Any given song can be pummeling one moment and then subtly shift into triply harmonies without the listener even realizing what has happened.

"The weird thing about it," Verellen muses, "is that we've got three different people contributing lyrics, parts and melodies to each song. So, they end up being disjointed by our individual input. We spent 3-1/2 years writing the songs for this album, so it's thematically all over the place."

Sleepwalking Sailors was recorded with engineer Chris Common (These Arms Are Snakes, Pelican, Chelsea Wolfe) in Seattle, with intentionally built-in limitations. "We recorded the album to tape in order to confine ourselves from ProTools refining every detail. We ended up with something that sounds really big, but also a bit more aggressive." Helms Alee's previous album Weatherhead was released in 2011 to much acclaim by their longtime label HydraHead just before it went under. Undaunted, and as a testament to the band's strong fan base, Helms Alee originally crowdfunded Sleepwalking Sailors, eventually raising an impressive recording budget. Upon hearing Common's early mixes, Sargent House quickly offered to bring the band onto their management roster and release the new album. Throughout the course of the album's creation, the band's independent aesthetic becomes clear: a dedication to truly representing themselves, regardless of trends and outside influence.

Album opener "Pleasure Center" kicks off with churning riffs and staccato drums that repeat and morph in a constant build that's equal parts Gang Of Four as it is early Soundgarden. The slithering and perfectly meshed distorted rattle of James' bass with Verellen's climbing, chiming single notes on "Tumescence" lead off with Neurosis style heft, but soon give way to compelling minor-key vocal harmonies laid over the proceedings. Elsewhere, James' and Matheson-Margullis' even more pop-hook leaning vocal harmonies lend a transcendence to the proceedings. "Pinniped" pits near chamber-pop group vocal harmonies against screaming, wailing guitar blasts and thumping tom drum beats. Throughout the album, Helms Alee prove that their unique creative spark is its greatest asset in creating incisive and insightful music.

Sleepwalking Sailors was released everywhere worldwide on LP, CD and download on February 11th, 2014 via Sargent House.
No Flowers