Swervedriver

Swervedriver

Dearly Beloved, RIBS

Sun, September 6, 2015

Doors: 7:00 pm / Show: 8:00 pm

The Sinclair

Cambridge, MA

This event is 18 and over

The Sinclair is general admission standing room only. Tickets available at TICKETMASTER.COM, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only.

Swervedriver
Swervedriver
In 1990 London's indie-rock guitar scene was developing a distinctive new psychedelic sound: swirling, dreamy, mysterious and very much of the British Isles. One band stood out by hot-wiring that sound with the subversive energy of some American bands of the era and that band was Swervedriver. They had the liquid distortion of shoegaze combined with the cool swagger of Hüsker Dü, Sonic Youth, and Dinosaur Jr - giving them a unique sound and attitude.
Relocating from Oxford to London, guitarists Adam Franklin and Jimmy Hartridge, bassist Adi Vines and drummer Graham Bonnar debuted with a series of landmark Creation Records EPs, Son of Mustang Ford, Rave Down, and Sandblasted. Their full-length debut, 1991's Raise, to this day is hailed by Pitchfork as an album full of "muscular, scorching guitars" that "still bring the noise like nobody's business" with Mojo stating that Son of Mustang Ford "remains one of the most glorious tunes to emerge in the wake of the so-called grunge explosion of '89, matching Adam Franklin and Jim Hartridge's motorised guitar-weaving with a beguiling, below-the-line vocal melody and lyrics that celebrated the joy of wide-open American freeways."

The band toured the album extensively, including a lengthy US tour with Soundgarden that brought their wall of sound to thousands. However with both Bonnar and Vines leaving the band not long after, the 1992 EP Never Lose That Feeling looked like it might be Swervedriver's (albeit scorching) swan song. Then in late 1992, Franklin and Hartridge demoed a new tune "Duress," recruited drummer Jez Hindmarsh and set about recording a second full-length albumMezcal Head with Alan Moulder (My Bloody Valentine/Led Zeppelin), which included their biggest singles "Duel" and "Last Train To Satansville." Touring extensively again, this time with Smashing Pumpkins and Medicine and with new bass player Steve George onboard, their sound was further imprinted on people's minds.

More roadblocks came to be in their way though: highly revered third album Ejector Seat Reservation came out in 1995 but was never released or toured in the US and although the band returned strongly with their fourth full-length 1998's 99th Dream, the energy was dissipating and they imploded at the end of an Australian tour resolving to go on hiatus.

Going their separate ways - Franklin moved to the US and released solo albums with his band Bolts of Melody - no-one really knew if the band actually was on hiatus or had split entirely. Then came an announcement in late 2007 that they would be performing at the following year's Coachella and heading back out on the road. Originally reforming with Hindmarsh on drums followed briefly by the return of Bonnar, they finally settled on Mikey Jones of Heaven and Bolts of Melody and have continued touring and appearing at festivals internationally.

In 2013 everything was ratcheted up several notches when Swervedriver released its first single in 15 years, "Deep Wound." Spin Magazine called it a "warm, confidently roiling return" with Mojo adding "those same distorted pop sensibilities remain reassuringly intact" and the band debuted the song on "Late Night with Jimmy Fallon" in the States.

And finally the announcement comes that the band has been recording at legendary studios Birdland in Melbourne, and Konk in London. Their fifth album I Wasn't Born To Lose You is to be released worldwide in March of 2015.
Dearly Beloved
Dearly Beloved
DEARLY BELOVED is a monster of a band. Echoing through the snowy valleys and the jagged edges of the Great White North come the rapid, urgent bass lines of Rob Higgins and the confrontational wails of co-vocalist Niva Chow. The pair drive their music forward like an apocalyptic oil tanker from some Mad Max-ian dystopic future. Bred for the road like a rabid beast, Dearly Beloved hit the 100,000 km mark in 2014 and is either on tour or preparing for their next one, opting for frequent jumps across the pond to the UK and Europe when their home base of Canada simply becomes too small for their ferocity.

Their influence has as much to do with Fear and Black Flag as it does Queens and Sabbath, mixing the speed and primal energy of hardcore punk with the brooding atmosphere of psych rock. All you need to know about Dearly Beloved is that they create their own world every time out and when they play live it is a gigantic rumble, resonating somewhere deep within the earth below you: it shakes the foundations of your soul, and it might be one of the loudest sounds you’ve ever heard.

Their latest album “ENDURO”, available in Canada via eOne Music and worldwide via Aporia Records / Shellshock / Broken Silence was conceived during a handful of maniacal days spent at Joshua Tree’s Rancho de la Luna, overseen by Dave Catching (Eagles of Death Metal, ex-Queens of the Stone Age) with Higgins himself at the controls. The band then spent some time tracking at Phoebe St., their own studio in Toronto, before the album was given a pristine mix down in Seattle by Grammy Award-winning producer, Adam Kasper (Queens of the Stone Age, Foo Fighters, Soundgarden, Pearl Jam). Topped off with an A-grade lineup of contributors such as Chris Goss (Masters of Reality) for some trebly and frantic guitar duties and Los Angeles-area drum guru Dave Elitch (Killer Be Killed, Antemasque, ex-Mars Volta) as well as Canadian indie rock lone wolf, Eamon McGrath, the record is a document of the ballistic energy laid to wax when four Canadians leave their winter climate for a psychedelic writing experience deep within the heart of the High Desert.

Like the band itself, "ENDURO" is road tested: Higgins broke the record in at full volume, blasting through the Mojave at top-speed to make sure the message was being accurately sent, right before returning home to Toronto to begin his rigid touring schedule. It’s a record built for breaking boundaries, both physical—volume, speed, strength—and musical, in the way it effortlessly mixes countless genres that all have one thing in common: that they’re as loud as fuck.
RIBS
RIBS
“Rock’s great new hope.”
–The Boston Phoenix

“Audaciously kinetic […] a Nine Inch Nails-meets-Muse salvo whose steely sheets of sound hammer the message home loud and clear: RIBS aren’t leaving anytime soon.”
–The Boston Globe

“Modern rock radio for non-douchebags.”
–Bullett Media

“An atmospheric quality and intensity similar to Deftones, Queens of the Stone Age, or Muse. Without being pretentious, the band manages to write gorgeously moody rock that’s straight forward, pure, and will have you listening on repeat.”
–Exploding In Sound
Venue Information:
The Sinclair
52 Church St
Cambridge, MA, 02138